4K Opinions & Interviews
Video Editor + Colorist, Denis Ogorodov, shared his thoughts on 4K/8K workflows + color grading production workflow through examples of his own work in documentaries such as The Donut King, as well plenty of commercial and sports work.
DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K
In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story.
StarTech takes a look at upcoming 4K video trends including how it's being adopted, what barriers exist, true 4K ecosystem and more. Learn more about StarTech at: https://www.startech.com/.
Technology is always evolving. In the television industry we’ve moved from standard definition to high definition and now onto, the Ks. Is this a technology trend that is here to stay or is it ahead of it’s time causing the excitement to die out before the rest of the television technology world catches up? In the following Q&A, Gene Duggan - Director of Sales and New Business Development at Imagecraft Productions, shares his insight on how the Ks have affected his clients and the television production industry, from the rental house perspective.
Nela Pertl, Marketing Manager EMEA at Panasonic, talks Video over IP, 4K and more at IBC 2016.
McLaren works with world-famous entertainment company to ensure safety of high-flying Bamboo Aerial Act performers and street crowds during Creative City Project in Orlando, FL. Andrew Habel, McLaren’s Florida Regional Director, answered a few questions about Cirque du Soleil La Nouba’s Bamboo Aerial Act and how they worked their magic to bring it to the streets of Downtown Orlando at Creative City Project.
Richard Henkels Shoots 4K on the Canon Cinema EOS C500 & EOS 1D C to Bring Author: The JT Leroy Story to Life
Documentary cinematographer, Richard Henkels, answers a few questions about work on his newest film, AUTHOR: THE JT LEROY STORY. The documentary that explores the greatest literary hoax of all time – when “it boy” wunderkid and Hollywood favorite JT LeRoy was unmasked as the creative expression of 40-year-old phone-sex operator turned housewife, Laura Albert. Richard shot the film in 4K on the Canon Cinema EOS C500 and the EOS 1D C.
Image Engine's Dave Morley began his career in VFX more than 20 years ago when he started out as a flame compositor in Sydney, Australia. He has worked on projects such as Point Break, Unbroken and the upcoming Power Rangers film.
Ken Feinberg Gives Talented Young Kids Experience & Knowledge at the Creative Studios of Atlanta Film Academy
Atlanta-born, Jewish-raised Feinberg once made a nice living in Los Angeles, playing big, bad-looking meanies (bikers, demons, etc.) on shows like “Buffy the Vampire Slayer” and “Charmed,” and now, he’s helming a family holiday picture called SANTA’S BOOT CAMP starring a bunch of kids with a cameo by Academy Award nominee Eric Roberts. Feinberg is eager to spread the message of SANTA’S BOOT CAMP – that when young people put their best effort forward, they can do anything – which is delivered both on screen by the kids who come together to save Christmas, and off-screen by the talented young artists who bring their characters and the story to such vivid life.
If you've seen Beyonce's lemonade, which let's be honest, who hasn't, then you are aware of Hannah Beachler's work as a production designer. She is currently working with director Ryan Coogler for Marvel’s much-anticipated Black Panther and she previously collaborated with Coogler on Creed, the spinoff from the Rocky film series, starring Sylvester Stallone and Michael B. Jordan, as well as Fruitvale Station, 2013's Sundance Film Festival breakout, which won both the Grand Jury and Audience Prize. Hannah talked to ProductionHUB about her film MILES AHEAD, the differences between biological film and fiction film, and breakign into the industry.
Cinema 4D Helps Apiary Studio Chart Conceptual Virtual Reality Soundscape Experiences for Samsung Gear
With virtual reality (VR) viewing devices entering the consumer mainstream, VR content is on the rise. MAXON is pleased to offer digital creatives plug-in tools for rendering VR content as well a several comprehensive tutorial series to help CG artists learn the technical aspects of creating pre-rendered or interactive VR video content. We talked to Joshua Michie, principal at Toronto based Apiary Studio, and long time MAXON Cinema 4D (C4D) user, about ANTUM, the studio’s debut virtual reality (VR) experience coming soon to the Oculus Samsung Gear VR store to discuss the 3D experiences the team faced creating content in this emerging medium.
Seven years ago VideoBlocks started producing 4K content and now others are starting to make the transformation. Joel Holland, Founder and Executive Chairman of VideoBlocks explains the vitality of creating and supporting 4K content. He believes that 4K is the future for technology and will become the new norm for the tech hub since UHD is already fading and advises companies to shoot in 4K rather than UHD since 4K resolution can be “bumped” down rather than trying to “bump up” HD content to 4K quality.